Model : Kim Fellay
Photography, postproduction, makeup, hairstyle & accessories : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.

Photography, postproduction : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.

Model : Rhea Soppelsa
Photography, postproduction, makeup & hairstyle : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.

Photography, postproduction : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.

Model : Caroline Scolaro
Photography, postproduction, makeup, hairstyle & accessories : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.

Photography, postproduction : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.

Selfportrait
Photography, postproduction, makeup, hairstyle & accessories : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.

Photography, postproduction : Audrey Piguet

This series is about the impact that humans have on animals and more particularly the use of some species for only an aesthetic purpose. The beauty of the women’s portraits is deliberately highlighted; Their appearance is plastic, rigorous and smooth, similar to the dictates of appearances sometimes conveyed in our society. They are carrying some «hints» of the animals, from simple jewellery up to a deeper fusion on their body. Man and animal are almost one and the same...
In response to those portraits are still lives, which act as a mirror reflecting the reality behind the beauty. They intend to bring a more critical, concrete and objective view. This opposition shows in a more subtle and nuanced way both aspects of the «use» of certain animals by humans, without concealing the savage part of those practices, which lead to great suffering among species.
Man and animal merge, bringing the idea that we wear consciously a part of them; we become ourselves some kind of beasts, as a metaphor of our lack of respect towards these species and their lives.
Rather than, this work tries to create a questioning about how we discern our actions and their consequences.